

Cast & creator
Best known for Scene of the Crime, The Old Fox, The Old Fox
Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1] Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1] One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1] During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born. Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf. Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."
57
film credits
28
television credits
85
1933–2017 · acting roles
7.4
average across scored titles
Signature credits
Across film & television
Showing 85 of 85 credits

Witness
1970
Johanna Martinek
1977
Charlotte Steinburger
1977Self
1974
Self
1948Self
1951Self
1955Self
1998Self
1964
Johanna Blago
1969
Lotte Boszilke
1969
Amalie Schöndorf
1969
Charlotte Echte
1969Self
1984
Self
1980Self
1989Self
1979
Self
1979Self
1964Self
1986Self
1990
Claire Maetzig
1986Self
1983Self
1963
Mrs. Butler
1962
Madame Brassac
1967Maximiliane
1991
Mother
1975
Elsa Grohmann
1965
Tante Doda
1979
Mary Pinder, verw. Moron
1961
Hella Bergson
1935

Mrs. Brendel
1964
Self
1967Mutter
1981
Josefa
1933
Martha Krapp
1958Edna Selby
1964
Marie
1936Lenore Carius
1945
Maria Schönborn, Verkäuferin im Blumenhaus Floris
1935Frau Weinstein
1991Elisabeth v. Ardenne
1981
Various Roles (archive footage)
2017Augusta
1965
Madeleine
1943
Hester
1936
Käthe Liebenow
1935
Irene Scholz
1949
Regine Kessler
1935
Effi Briest
1939
Gabriele Brodersen
1937
Helga Dargatter
1954Präsidentin
1975Mrs. Bryant
1969
Herself
1987Generalin
1962
Mabel Atkinson
1937
Johanna Stegen alias Luscha
1948Zweite Frau Professor
1984
Gräfin Hohenlohe
1988Herzogin von Gloster
1968Marianne
1983Felicitas Iversen
1942
die Frau
1950Madame Hunter
1966
Franziska Tiemann
1941Julia Bach
1944
Johanna Luerssen
1934Ursula Diewen
1933
Inken Peters
1937Mother
1978Patricia Taylor
1964
Renate Brinkmann
1939Selma Selig
1967
Anna
1934
Elke Volkerts
1934Henriette Flamm
1962Die Zeit
1965Thea Ammer
1988Iokasta
1963
Hedwig Schuster
1989Tante Thea
1975